THE ZERO COLLECTION 2015/2016
148Pages

MAIL INFO@ZERO.SE

Imagine a barren winter landscape in deepest Scania. barren The darkness, nigh impenetrable when the clouds cover impenetrable the cov the moonlight. But as it does penetrate, the glitter of the penetrate, the the snow snow is all the more magical. That’s what we are tr ying the more we are trying to capture at Zero. Just as much as its opposite — the soft capture Zero. the soft sheen of Nordic summer light, which is not the delight of Nordic the artists artists alone. From light, dark and shadows in our environment, we shadow environment, we and our designers create the unique Zero range....

Of course, our histor y contributes to our identity — how, history how in 1978, our founders long experience of glass yielded 1978, to an entire decade devoted almost entirely to perforated entire dev entirely perforated sheet metal fittings. Because the designer Börge Lindau the Börge was clearly decided that this very sheet metal should that this ver y contribute to Zero’s being both noticed and recognised Zero’s both recognised as a modern, innovative and for ward-looking company. innovative forward-looking company And how right he was. Expansion occurred, and from how was. occurred,...

The years passed, and in 2OO5, a whole new period years new began in Zero’s histor y. We star ted collaborating with Zero’s history We started collaborating with the most recognized Swedish designers of the day and recognized Swedish the now we were now we were also ready to appear in an international ready setting, at the Milan Salone del Mobile. W have carried the We e on doing that, and our successes have led to almost half that, have of our fittings being designed from 2OO5 onwards. from onwards. Today, Zero is an internationally established company o company with with design stars from...

Foto (2OO5) by Thomas Bernstrand, Mattias Ståhlbom

Stampa (2O15) by Cate & Nelson

Block (2O15) by Johanna Jacobson Backman

Fisherman (2O11) by Mattias Ståhlbom

Atlantic grey 60141 other colours on request. Diffuser in matt acrylic. Up- & downlight. Light source Painted metal. Shade pressed fabric Gabriel

Light source Colours fuser, fabric cord in matching colors Jens Fager 2014 Painted aluminium, micro prisma dif-

black, grey, yellow, orange, with matt opal glass diffuser Aluminium shade in white, red,

Fog 35O mm – black and copper. Sävja Kulturcentrum, Sweden. Werket Arkitekter/Marge Arkitekter/Sweco Systems

Light source Colours sand blasted clear glass sphere including light source Front 2014 Painted steel with partly

Fredrik Mattson 2007 Colours Painted aluminium, white or multicolour 40W/55W/2Gx13 Light source

PXL ø 320 mm. Hotel Birger Jarl, Sweden. Rosenbergs Arkitekter/Lightsupport

Fredrik Mattson 2007 Colours Painted aluminium, white or multicolour Light source

36 Reflector available as accessory. clear laquered or with gold varnish. Perforated metal, square holes or extruded. Light source Painted metal in yellow, orange,

Grid pendant, orange with reflector. Nike HQ, the Netherlands

Fisherman ø 4OO mm – natural net. Bronda Restaurant, Finland. Futudesign.

Handmade net in white, natural or orange. Other colours on request Opal white UV-stable polyethene

painted aluminium or glass white,red, grey. Shade in Base in painted aluminium, Colours Thomas Bernstrand 2014 LED 6W, Halogen 28W Light source

painted aluminium or glass white,red, grey. Shade in Base in painted aluminium, Colours Thomas Bernstrand 2014 LED 6W, Halogen 28W Light source SHIBUYA SOLO

Shibuya system, Frösö Park Hotell, Doos Arkitekter, Input Interiör

orange or grey, matt opal UVstable polyethene diffuser Base painted aluminium, white,

Colours or orange. Black fabric cord. Adjustable Light source Vida Arkitekter 2015 Painted metal in white, black

Elements XL in custom colours Other colors on request. Diffuser in matt opal acrylic. Light source Note Design Studio 2015 Shade fabric, blue or white.

colors on request. Diffuser in matt opal acrylic. Light source Note Design Studio 2015 Shade fabric, blue or white. Other

burgundy, , grey, white, solid brass or copper. Black fabric cord Light source Shade in painted aluminum, yellow

Colours burgundy, grey, white, solid brass or copper. Black fabric cord. Light source Luca Nichetto 2015 Shade in painted aluminum, yellow POMI TRIO

Loom. Karolinska Institiute, Sweden. Tengbom Arkitekter.

Light source Colours made seam in white, blue, dark grey, dark green, yellow, orange Benjamin Hubert 2011 White 3D woven polyester, hand

black, orange or grey. Adjustable cord. Aluminium painted in white,

Lift E27 with LED ligh source. Astrid Lindgren Näs, Sweden. Matti Reiman, Zero.

Umbrella in custom orange color. Max Restaurants, Sweden.

Light source Colours gree or black. Diffuser in matt opal acrylic. Other colours on request Shade in painted acrylic, white,

black, other colours on request Painted aluminium in white or Colours Light source

Media Evolution, Malmö, Arkitekt Jonas Olsson, Input

Loos, Karolinska Institutet, Tengbom Arkitekter

Diffuser in matt acrylic. in three patterns, and six colours. Two or three layers of pressed felt Light source

(RAL 1016) or black. Diffuser in opal acrylic. Aluminum shade in white, yellow

Par LED 16W. Sandvik, Sweden. Lomar Architects/IK-Architects/ECO, Nora Högberg

Light source Colours blue, white, black, orange, or grey. Fabric cord in matching Broberg & Ridderstråle 2012 Aluminium shade painted in

matt acrylic, rubber bands in various colour combinations White painted metal. diffuser in

Cord ø43O mm LED. Sandvik, Sweden. Lomar Architects/IK-Architects/ECO, Nora Högberg

black, red/orange or paper. Turnable. Diffuser in opal white acrlylic. Light source Painted aluminium in grey, white,

Light source Colours white, black, green or yellow Fabric cord in matching colours Note Design Studio 2013 Painted aluminium,

white, black, green or yellow Fabric cord in matching colours Note Design Studio 2013 Painted aluminium, SILO TRIO