COLOUR IN REAL LIFE . I S S U E 1 | B Y G I U L I O R I D O L F O F O R S C H I AV E L L O
Open the catalog to page 1“To be open, to accept that there is no rigid way to see colours.” COLOUR IN REAL LIFE —Giulio Ridolfo
Open the catalog to page 2Contents Giulio Ridolfo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Concept . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 6 Mastery of Materiality . . . . . . . . . . . . . . . . . . . . . . . . . . . . ColourLab Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.0 Metal Powder Coat . . . . . . . . . . . . . . . . . . . . . 2 3
Open the catalog to page 3SCHIAVELLO ColourLab Issue 1 Giulio Ridolfo studied at Domus Academy in Milan, and graduated with a Master of Fashion Design in 1985. He has since worked as a talented colour advisor to many of the world's leading interior, clothing and footwear companies. Giulio's contribution is not a traditional colour palette representing the full circle of colours. His colour compositions have more to do with expressing an attitude or a choice and this has resulted in a highly personal colourway. Giulio draws his inspiration from diverse sources such as photography, art, fashion and film. He gathers images,...
Open the catalog to page 4SCHIAVELLO ColourLab Issue 1 The Concept ColourLab is an honest and considered colour palette, compiled for Schiavello furniture applications to suit a variety of environments, embracing an array of textiles. Developed by Italian 'colour master' Giulio Ridolfo in collaboration with our design team, it was fostered through a process that wholly embraces the creative nature of colour.
Open the catalog to page 5SCHIAVELLO ColourLab Issue 1 Mastery of Materiality In his work with us, Giulio employed a creative approach that centres on the concept of materiality. This is the method he prefers – the tactile observation of colours alongside textures, rather than looking at flat colour alone. Much is missed when colour isn’t considered alongside the material it will be on, such as the balancing between roughness and shininess, or the difference between colour on a smooth material and a coarse one. Therefore Giulio works with physical samples and objects, placing them next to and on top of each other to develop...
Open the catalog to page 6SCHIAVELLO ColourLab Issue 1 After visiting Melbourne's CBD, observing the people (who were notably mostly in black), and waking at the crack of dawn to walk the city's gardens, he discovered inspiration in the native flora. Giulio absorbed the nature and the energy of the city's greenest spaces at times when the sun had only just begun settling on the leaves. He took something from each of these places. Giulio assembled a selection of items, some he had collected here in Melbourne, some he brought with him from Italy, and others he collected on his travels; everything precisely placed, layered...
Open the catalog to page 7SCHIAVELLO ColourLab Issue 1
Open the catalog to page 8SCHIAVELLO ColourLab Issue 1 ColourLab Range
Open the catalog to page 9Polar White Oyster Grey Stone Grey Notaio Walnut
Open the catalog to page 10Applied finishes are available on Oak. Timber paints are available on Oak. Obsidian Glass Stone Grey Silk Grey Cement Grey Signal Brown Orange Brown Grey Beige Pale Green Steel Blue Gentian Blue Emerald Green Colza Yellow Sulfur Yellow Applied Finishes Walnut Biancato Walnut Milano
Open the catalog to page 112.2 T IMBE R WASH Timber washes are available on Oak. Obsidian Glass Stone Grey Silk Grey Cement Grey Signal Brown Orange Brown Grey Beige Pale Green Steel Blue Gentian Blue Emerald Green Colza Yellow Sulfur Yellow
Open the catalog to page 12• Satin ‡ Texture Obsidian Glass Stone Grey Signal Brown Steel Blue Colza Yellow Silk Grey Gentian Blue Sulfur Yellow Orange Brown Cement Grey Grey Beige
Open the catalog to page 13Obsidian Glass
Open the catalog to page 14CATEGORY 1 Messenger & Metric
Open the catalog to page 15CATEGORY 2 Field, Mode, Revive 1, Revive 2 & Umami
Open the catalog to page 16CATEGORY 3 Clara 2, Maple, Recheck, Pine, Remix 2 & Rime
Open the catalog to page 17CATEGORY 4 Hallingdal 65, Divina MD & Steelcut Trio 3.
Open the catalog to page 18CATEGORY 4 Tonus Meadow CATEGORY 5 Coda 2 & Harald 3
Open the catalog to page 19CATEGORY 3 Panorama CATEGORY 4 Ascona & Savannah
Open the catalog to page 20.s'CH/a C°lourl
Open the catalog to page 21Schiavello wishes to extend a special thank you to Giulio for helping us with the creation of ColourLab. ColourLab Consultant—Giulio Ridolfo Design—Schiavello Print—Adams Print Photography—Charlie Kinross Schiavello’s most important commitment to sustainability is the company-wide Environmental Management System under ISO 14001. The environmental design principles realised mean we design for the environment, focusing on efficient energy use and minimum emissions, longevity and durability, re-use and recycling of our products. Our principles of ME WE (Materials, Energy, Waste Emissions) give us...
Open the catalog to page 22oli avcLii © 2018 Schiavello www.schiavello.com/colourlab
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