Famylje book

Famylje book
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Famylje book

Product catalog summary
Introduction
The Pilat&Pilat Famylje Book 2013-2014 showcases the latest furniture collection from Pilat&Pilat, featuring pieces photographed in various settings, including their showroom in Twijzel, The Netherlands. The book blends modern design, art, and antiques to create a timeless atmosphere, including stories about the collection, insights from creators, and details about the showroom and Interior Café.
Product Information
The book provides detailed information on solid wood furniture, including wood types, finishes, and maintenance advice. It also offers an overview of the collection and sales points available on their website.
Design Highlights
Highlighted designs include coffee tables, chairs, benches, cabinets, and beds, with specific page references. Notably, the 'Pake Sytse' table series won the Vredeman de Vries Design Award in 2011 for its unique belfry-shaped support.
Collaboration Story: Japik Table
The book narrates the collaboration between Gjalt Pilat and artist Jan Ketelaar, resulting in the Japik table, inspired by the Frisian landscape. The creation process involved a trip to Bosnia, where local artisans helped craft the table.
Conclusion
The Pilat&Pilat Famylje Book not only showcases furniture but also tells the stories behind the designs, emphasizing tradition, craftsmanship, and artistic collaboration.
Overview
The document provides insight into Pilat & Pilat, a furniture company known for unique designs and sustainable practices, highlighting their operations, design philosophy, and materials used.
Showroom and Events
Pilat & Pilat's showroom and Interieurcafé are open from Thursday to Saturday, offering a space for exploring furniture collections and participating in events like anniversary parties and movie nights.
Designs and Collections
The document lists various furniture pieces designed by Gjalt Pilat and others, showcasing tables, chairs, cabinets, and more, noted for unique design and craftsmanship.
Collaboration with Artists
The document features a collaboration with visual artist Trude van Assem, sharing her experience working with Pilat & Pilat and the creative process behind designs like the Klaas table.
Manufacturing and Sustainability
Pilat & Pilat operates a manufacturing plant in Bosnia, employing local craftspeople and sourcing wood sustainably from family-owned orchards, emphasizing high-quality wood and sustainable practices.
Wood Selection and Customization
The Famylje Collection uses oak, walnut, maple, and elm, with each piece retaining the wood's unique character. Customers can customize furniture, choosing wood type, color, and structure, though this may incur additional costs.
Care and Maintenance
The document provides guidelines for maintaining wooden furniture, emphasizing a stable indoor climate to prevent damage and offering tips for small DIY repairs.
Specifications and Materials
The document discusses solid wood furniture properties and maintenance, focusing on oak, walnut, maple, elm, and cherry. Each piece retains the tree's unique character, with variations in color and texture, finished with natural oil or special furniture soap.
Maintenance and Care
Regular maintenance with soap or oil is essential. In winter, maintain a room temperature of around 20°C and relative humidity of 55%-65% to prevent wood shrinkage. Clean spills immediately to avoid stains, and avoid aggressive cleaning agents.
Repairing Minor Damages
Small damages can be repaired by sanding or swelling (using a hot iron on a moist cloth), allowing easy repair without expert knowledge.
Finishing Options
Furniture can be finished with natural soap and/or oil, preserving the wood's natural character. A lacquer finish is also available, which seals the wood and makes cleaning easier, though it may require sanding and repainting for repairs.
Cured and Smoked Wood
Cured wood is heated to reduce moisture content, making it resistant to shrinkage and expansion, and giving it a dark-brown color. Smoked oak undergoes a process that gives it a smoky color, which fades over time.
Warnings and Recommendations
After using maintenance oil, avoid water contact for 24 hours to allow the oil to cure. Used cloths should be rinsed and dried to prevent spontaneous combustion. Natural oils enhance the wood's structure and color, providing a durable surface.
Specifications and Recommendations
Furniture treated with oil requires an 8 to 10-week curing period during which a protective layer forms. Avoid frequent use during this time. Do not apply maintenance oil within this period and protect the furniture from moisture using coasters.
Maintenance Box Contents
  • 250 ml maintenance oil (white pigmented or natural)
  • Polishing cloth
  • Plastic bag
Cleaning and Maintenance Procedures
For everyday cleaning, use a moist cloth. The soaping procedure should be repeated based on usage and exposure to dirt:
  • Dinner and coffee tables: every 1 - 3 weeks
  • Sideboards and cupboards: every 1 - 3 months
The soap mixture consists of 1 part soap to 20 - 40 parts water, depending on usage intensity and desired color shade. For frequent use, a ratio of 1:20 to 1:30 is recommended, while less frequent use can use a ratio of 1:30 to 1:40.
Before using the white-pigmented soap mixture, shake or stir well to mix the pigment and soap. Store the mixture in a capped bottle or plant spray for convenience. Apply the mixture with a scourer or cotton cloth for oiled furniture, following the wood grain, and leave for 2 minutes. Clean with a moist cloth to remove excess soap and dirt.
Soap as a Maintenance Product
Soap serves a dual purpose: it prevents dirt and moisture penetration by saturating the surface with coconut and soy fats, and it cleans by removing dirt from the wood's upper layer. Soap-treated furniture requires regular maintenance. The soap is made from vegetable materials without artificial additives and must be diluted before use. Higher soap concentration results in whiter wood and more protection.
For stain removal, apply undiluted soap with a scourer, rub along the wood grain, and clean with a moist cloth. Repeat if necessary. For tough stains like grease or red wine, apply diluted soap, cover with a moist cloth, and let it sit for 10-12 hours before re-soaping.
Maintenance Kit Contents
  • 250 ml maintenance soap (white or natural)
  • Scourer
Additional Information
Photography by Peter Tromop and Kristien Pilat, styling by Kristien Pilat and Stylingburo 71 Anke Dijkstra, graphic design by Jelle F. Post and Kristien Pilat, text by Renske Schriemer, art direction by Gjalt Pilat. Printed in the Netherlands, January 2016.
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Catalog excerpts

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inleiding preface Met trots presenteren we u de nieuwste uitgave van Pilat&Pilat Famylje Collection. We proudly present to you the newest edition of the Pilat&Pilat Famylje Book. Met dit Famylje Book maakt u kennis met de meubelen van de Pilat&Pilat collectie, gefotografeerd in de showroom in Twijzel, op bijzondere maar ook alledaagse locaties. In combinatie met design accessoires, moderne kunst en antieke gebruiksvoorwerpen. Sfeervol gestyled waarbij de herkenbare Pilat-sfeer goed zichtbaar is. Tijdloos, ingetogen en warm. This Famylje Book gives you a glimpse of the furniture of The Pilat&Pilat...

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tafels tables salontafels coffeetables BIJZETTtafels SMALL TableS PAKE SYTSE pag. 18

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HENDRIKA HYKE JOOP NEL PAKE SYTSE SIEBREN HINDRIK LANGSHOUT BARKRUK MADS MINKE MERIAM PAS SYL SYTSE DIRK TOUTER BARTDRESSOIR BART PLATEAU DIEDERIK DIEDERIK EIRIK HILTJE II HOTZE II HOTZE I & II MEINT DRESSOIR HANG KAST MEINT REIN PAKE SYTSE REIN SYM DRESSOIR

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hykje tafel/table • design: Gjalt Pilat 2013 HYKJE salontafel/coffeetable • design: Gjalt Pilat 2014

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design: Peter Tromop/Gjalt Pilat 1999/2008

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lutske stoel/chair • design: Gjalt Pilat 2000 edwin tafel/table • design: Gjalt Pilat 2007

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Meint rein dressoir/lowboard design: Gjalt Pilat 2010 schommelstoel/Rocking chair design: kristien pilat 2003

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Tynke ii boekenkast/ SHELVING UNIT • design: kristien pilat 2012

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bernd tafel/table • design: gjalt 2012 hotze II dressoir/lowboard • design: gjalt pilat 2002/2012/2015

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Uit het juryrapport: “Eigenheid, eigenzinnigheid, puurheid, ambachtelijkheid en een door de jaren heen volgehouden hoge kwaliteit. Pilat stoort zich niet aan trends. Hij is trouw aan zichzelf. Zijn werk is puur, ambachtelijk, sober. De kracht van eenvoud. Hij brengt de dingen terug tot hun meest elementaire vorm en daarmee staat hij met twee benen in de Nederlandse traditie.’’ Met de Vredeman de Vriesprijs voor Vormgeving wil de provincie Fryslân een impuls geven aan de belangstelling voor vormgeving in Fryslân. Foto: Peter Tr omop • pake sytse in 12 eeuwse kerkje in Ginnum (fr) met dank aan...

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pake sytsegjalt 2015 kast/cabinet • design: 20

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pake sytse tafel/table • design: gjalt pilat 2010

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Japik, een ontwerp van Gjalt Pilat en Jan Ketelaar Japik, designed by Gjalt Pilat and Jan Ketelaar Ze ontwierpen en maakten samen een uniek ontwerp, een tafel die het Friese coulissenlandschap ademt. Japik verbeeldt de ook dialoog tussen de kordate meubelmaker en de filosofische kunstenaar. They designed and made a unique design; a table which breathes the Frisian scenic landscape. Japik also represents a dialogue between the firm furniture designer and the philosophical artist. Daar zitten ze dan, samen aan tafel in het interieurcafé van Pilat & Pilat in Twijzel. Aan een mooie tafel weliswaar,...

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Het gesprek tussen de twee makers bloeide en dat hield voorlopig niet meer op. Gjalt Pilat: ‘We moesten naar de fabriek in Bosnië om de tafel daadwerkelijk te gaan maken. Samen in de auto, tien uren op een dag, twee dagen heen, twee dagen terug. Ik wist met Jan: daar gaat veel gepraat worden. Jan heeft geen moment niet gepraat, het was een waterval.’ Achterin de auto lagen de plasmasnijder en het lasapparaat van Jan, en alvast vijftien thuis gemaakte boompjes. In de werkplaats van de fabriek van Pilat & Pilat in Bosnië kreeg de tafel voor het eerst echt vorm, met de hulp van de werkmensen ter...

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HINDRIK bijzettafel/small table design: gjalt 2009 Annebeth &design: gjalt 2009 Hilde Hyk bijzettafel/small table • 28

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wilke bureau + KAST/DESK + SHELVING UNIT design: Gjalt Pilat 2013

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design: Gjalt Pilat 2002

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Bas tafel + bankje/table + bench design: Gjalt Pilat 2001 Bas salontafel/coffee table design: Gjalt Pilat 2001

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amarinz bank/bench • design: Gjalt Pilat 2011 hiltje II kastje/wall cabinet • design: Gjalt Pilat 2013

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De makers van De Famylje collection The makers of the Famylje collection BAS van der veer – Bas van der Veer (1985), Industrieel ontwerper, Eindhoven – Bas van der Veer (1985) Industrial designer, Eindhoven ‘Mijn roots deel ik met Pilat & Pilat. Ik woon en werk sinds mijn studie aan de Design Academy in Eindhoven, maar ben geboren en getogen in Friesland. Ik ken de Pilatten bovendien al lang; mijn ouders zingen in een koor met de oprichters, Gjalt en Diny Pilat. De meubelmakerij van Pilat hoort er van kindsafaan vanzelfsprekend bij voor mij. In de begintijd van mijn eigen studio (sinds 2009,...

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kees bureau/desk • design: Gjalt Pilat 2013 stoel/chair • design: bas van der veer 2014 BANK/BENCH • DESIGN: GJALT PILAT 2006 SYL KRUK/STOOL • DESIGN: BAS VAN DER VEER 2014 41 BANK/BENCH • DESIGN: GJALT PILAT/PETER TROMOP 2007

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tafel/table • design: peter tromop 2014 Dionne Diny STOEL/CHAIR • DESIGN: KRISTIEN PILAT 2014

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diederik kast/cabinet • design: Gjalt Pilat 2004

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PAS STOEL/CHAIR • DESIGN: GJALT PILAT 2014 dirk jisk Gjalt Pilat 2009 tafel/table • design:

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touter schommelstoel/rocking chair • kristien pilat 2007 annie bijzettafel/small table • gjalt pilat 2009 freek salontafel/coffee table • design: peter tromop 2009 49

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greta stoel/chair • design: Gjalt Pilat 2005 hindrik langshoutserie • design: Gjalt Pilat 2004

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BART DRESSOIR + TV PLATEAU/SIDEBOARD + TV PLATFORM • DESIGN: PETER TROMOP 2016

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De makers van De Famylje collection The makers of the Famylje collection peter tromop – Peter Tromop (1969), Interieurarchitect/ ontwerper bij Pilat&Pilat – – Peter Tromop (1969) Interior Architect / Designer at Pilat & Pilat – ‘Bij Pilat & Pilat gaat het om hout, we proberen daar op een ongekunstelde manier mee om te gaan. Er gaat een oprechtheid uit van de collectie. We – Gjalt, Kristien en ik - laten schetsen aan elkaar zien; met de ene gaan we verder, de andere laten we liggen. Er is een rode draad, maar die hoeven we niet steeds uit te spreken. Meestal voelen we alledrie wel aan wat past...

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