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Dining 2018

Dining 2018
139Pages

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ASTERIAS PATRICIA URQUIOLA 30 BELGRAVIA RODOLFO DORDONI 14 CODEX PATRICIA URQUIOLA 68 DIAMOND PATRICIA URQUIOLA 62 FILIGREE RODOLFO DORDONI 44 MAYFAIR RODOLFO DORDONI 22 HOME OFFICE INK JASPER MORRISON 88 NOTE MATTEO NUNZIATI 74 SCRIBA PATRICIA URQUIOLA 82 SECRETELLO MICHELE DE LUCCHI 78 CHAIRS_SEDIE ALFA HANNES WETTSTEIN 146 BARBICAN RODOLFO DORDONI 102 CONTENT CHELSEA RODOLFO DORDONI 124 GLOVE PATRICIA URQUIOLA 130 GLOVE-UP PATRICIA URQUIOLA 134 MHC.3 MISS TOBIA SCARPA 116 OUTLINE ARIK LEVY 138 TEATRO ALDO ROSSI, LUCA MEDA 150 WOODY...

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MOLTENI MAKE FURNITURE BY BUILDING ON TRADITION, ADDING EXPERIENCE TO EXPERIENCE. BY APPLYING TECHNICAL INNOVATION TO TIME-HONOURED SKILLS THEY ACHIEVE UNEXPECTED, INGENIOUS ADVANCES. THE DURABILITY OF FURNITURE DEPENDS ON GOOD WORKMANSHIP BUT ALSO ON THE COMPLETENESS AND SUITABILITY OF THE FORMS. MATERIALS HAVE TO BE “GOOD” MATERIALS, BUT ARE ONLY SUCH IF USED IN KEEPING WITH THEIR POTENTIAL, THEIR HISTORY AND THEIR PURPOSE. MOLTENI COSTRUISCE MOBILI SVILUPPANDO LA TRADIZIONE. AD ESPERIENZA AGGIUNGE ESPERIENZA. L’INNOVAZIONE TECNICA CONSENTE DI SVILUPPARE IN DIREZIONI IMPREVISTE I...

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In 1958 Gio Ponti was enlisted to design the auditorium for the Time&Life Building at 1271 Avenue of the Americas in New York. The building housed the headquarters of Time Inc., publisher of influential, historical magazines such as Time, Life, Fortune, People, and Sports Illustrated. This was Ponti’s most prestigious project in New York. The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out among the auditorium furnishings not only for its impressive size—over 3,60 meters long—but especially for its simple yet refined design. The legs are notable for...

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TABLE-ASH WOOD STAINED BLACK, SATIN BRASS FEET MHC.3 MISS CHAIRS-BLACK ASH, L200 LEATHER PALETTE CARPET- TAVOLO-FRASSINO TINTO NERO, PIEDI OTTONE SATINATO SEDIE MHC.3 MISS-FRASSINO NERO, PELLE L200 TAPPETO PALETTE-

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D.859.1 — TABLE— ASH WOOD IN NATURAL COLOUR, SATIN BRASS FEET MHC.3 MISS CHAIR— NATURAL ASH, PAPER CORD ECRU COLOUR EDGE CARPET— TAVOLO— FRASSINO NATURALE, PIEDI OTTONE SATINATO SEDIA MHC.3 MISS— FRASSINO NATURALE, CORDA COLORE ECRÙ TAPPETO ED

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TABLE-ASH WOOD IN NATURAL COLOUR D.655.1 CHEST OF DRAWERS— ELM, ITALIAN WALNUT, MAHOGANY, ROSEWOOD, WHITE HAND-PAINTED, SATIN BRASS MHC.3 MISS CHAIR— NATURAL ASH, PAPER CORD ECRU COLOUR EDGE CARPET— TAVOLO— FRASSINO NATURALE CASSETTONE D.655.1 — OLMO, NOCE NAZIONALE, MOGANO, PALISSANDRO, VERNICIATO A MANO BIANCO, OTTONE SATINATO SEDIA MHC.3 MISS— FRASSINO NATURALE, CORDA COLORE ECRU TAPPETO EDGE—

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BELGRAVIA RODOLFO DORDONI A bridge-shaped wooden frame, with a double inclination outline and a sophisticated joinery technique, enables the legs and the load-bearing beam of the table to be joined. The tops in the three noble materials of stone, wood and glass, enrich the whole, creating great design continuity. Different dimensions allow the tables to be used in a variety of settings where Belgravia will always be the undisputed protagonist. Una struttura a ponte in essenza, con una sagoma a doppia inclinazione e una sofisticata tecnica di ebanisteria, ha reso possibile l’unione tra le...

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EUCALYPTUS STRUCTURE, TOP EMPERADOR DARK MARBLE BARBICAN CHAIRS-EUCALYPTUS BASE, BACKREST SHELL UNIQUE UE130 LEATHER, SEAT SHELL SUNNIVA ZE522 FABRIC PALETTE CARPET- TAVOLO-STRUTTURA EUCALIPTO, PIANO MARMO EMPERADOR DARK SEDIE BARBICAN-BASAMENTO EUCALIPTO, SCOCCA SCHIENALE PELLE UNIQUE UE130, SCOCCA SEDILE TESSUTO SUNNIVA ZE522 TAPPETO PALETTE-

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TABLE-EUCALYPTUS STRUCTURE, TOP DOLOMITE GREY COLOURED GLASS BARBICAN CHAIRS-METAL BASE PEWTER COLOUR PAINT, BACKREST SHELL UNIQUE UE195 LEATHER, SEAT SHELL SUNNIVA 2 ZE591 FABRIC ATALANTE CARPET- TAVOLO-STRUTTURA EUCALIPTO, PIANO VETRO COLORATO DOLOMITE SEDIE BARBICAN-BASAMENTO METALLICO VERNICIATO PELTRO, SCOCCA SCHIENALE PELLE UNIQUE UE195, SCOCCA SEDILE TESSUTO SUNNIVA 2 ZE591 TAPPETO ATALANTE-

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TABLE- TAVOLO- EUCALYPTUS STRUCTURE AND TOP STRUTTURA E PIANO EUCALIPTO

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MAYFAIR RODOLFO DORDONI Rodolfo Dordoni combines simple geometric forms to create new geometric solids and thus produce original furnishings in concept and function. This is the Mayfair collection as it is taking shape: dining tables with trapezoidal supporting plinths and finishes in polished copper or orient grey marble. The oval table tops with rounded edges are in eucalyptus or transparent grey laminated glass with a silver coloured undertop that is positioned exactly over the plinths. This collection also includes a series of small tables and support bases. Rodolfo Dordoni, abbina...

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TABLE-BASES GLOSSY COPPER LACQUER, EUCALYPTUS TOP QUINTEN CUPBOARDS— PEWTER COLOUR STRUCTURE, EUCALYPTUS SHELVES AND TOP CHELSEA CHAIRS— EUCALYPTUS, WILD WD179 FABRIC EDGE CARPET— TAVOLO— BASI LACCATE LUCIDO RAME, PIANO EUCALIPTO MADIE QUINTEN— STRUTTURA PELTRO, TOP E VASSOI EUCALIPTO SEDIE CHELSEA— EUCALIPTO, TESSUTO WILD WD179 TAPPETO EDGE—

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MAYFAIR — TABLE— EUCALYPTUS TOP TAVOLO— PIANO EUCALIPTO

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TABLE-BASES GLOSSY COPPER LACQUER, TOP TRANSPARENT GREY STRATIFIED GLASS CHELSEA CHAIRS-EUCALYPTUS, SIRIAS1220,S1230 LEATHERS LOOP&CUT CARPET- TAVOLO-BASI LACCATE LUCIDO RAME, PIANO VETRO GRIGIO STRATIFICATO TRASPARENTE SEDIE CHELSEA-EUCALIPTO, PELLI SIRIA S1220, S1230 TAPPETO LOOP&CUT-

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ASTERIAS PATRICIA URQUIOLA Asterias a generously-sized round table, featuring a central base reminiscent of the cactus from which it takes its name. It consists of six curved, wedge-shaped, wooden panels, applied protruding over the central plinth. The panels are 3D printed. The top (160 or 180 cm) features a rounded edge sub-divided, in the wood version, into four wedges that give rise to an interesting geometric pattern. Asterias can also be fitted with a practical accessory: a central Lazy Susan turntable, very popular in Asian countries. The table is available in wood, graphite oak,...

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