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COEUR . SI LE SOLEIL ENTRE DANS LA MAISON, IL EST UN PEU DANS VOTRE > COOL 2 LE CORBUSIER, 1887 - 1965 size="-2">

TO CREATE , YOU MUST EMPTY YOURSELF OF EVERY ARTISTIC THOUGHT. > VISION 4 GILBERT & GEORGE, 1943 & а1942 size="-2">

MASTER > 11 SPHERE TO DESIGN IS TO COMMUNICATE CLEARLY BY WHATEVER MEANS YOU CAN CONTROL OR > MILTON GLASER, 1929 size="-2">

A TRIUMPHS STYLE DOES NOT GO OUT OF STYLE AS LONG AS IT . > STAR 12 ADAPTS ITSELF TO ITS PERIOD. WHEN THERE IS AN INCOMPATIBILITY BETWEEN THE STYLE AND A CERTAIN STATE OF MIND, IT IS NEVER THE STYLE THAT > COCO CHANEL, 1883 1971 size="-2">

COMFORT AND UTILITY MAY GO HAND IN HAND WITH > 15 PRESTIGE THE ARCHITECT SHOULD STRIVE CONTINUALLY TO SIMPLIFY; THE ENSEMBLE OF THE ROOMS SHOULD THEN BE CAREFULLY CONSIDERED THAT BEAUTY . > FRANK LLOYD WRIGHT, 1908 size="-2">

ADAGIO & STARLINE/LEDERLINE BORDER 16 >

EIN KUNSTWERK IST NUR LESBAR DURCH AUFEINANDER FOLGENDE VERTIEFUNGEN. > PALOMINO 18 FRIEDRICH NIETZSCHE, 1844 - 1900 size="-2">

LA PERFECTION EST ATTEINTE, NON PAS LORSQUIL NҒY A PLUS RIEN A AJOUTER, MAIS LORSQUIL NҒY A PLUS RIEN A RETIRER. > EXTREME 21 ANTOINE DE SAINT-EXUPRY, 1900 - 1944 size="-2">

23 COOL NEW EYES THE VOYAGE OF . DISCOVERY IS NOT IN SEEKING NEW LANDSCAPES BUT IN HAVING > MARCEL PROUST, 1871 - 1922 size="-2">

25 SILEX THE DETAILS ARE NOT THE DETAILS . THEY MAKE THE DESIGN . > CHARLES EAMES, 1907 - 1978 size="-2">

DESIGN LOOKS LIKE AND IS NOT JUST WHAT IT > PINTO 28 WORKS FEELS . LIKE. DESIGN IS HOW IT > STEVE JOBS, 2003 size="-2">

29 QUARTZ EIN WENN MAN VIEL HINEIN ZU STECKEN HAT, SO HAT TAG HUNDERT TASCHEN. > FRIEDRICH NIETZSCHE, 1844 - 1900 size="-2">

PURPOSE . DESIGN IS A PLAN FOR ARRANGING ELEMENTS IN SUCH A WAY AS BEST TO ACCOMPLISH A PARTICULAR > CHARLES EAMES, 1907 - 1978 size="-1">

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