Seating +Table +Bookshelf
Open the catalog to page 1Piero Lissoni Collection. design Piero Lissoni
Open the catalog to page 2“Imagine listening to a conversation capable of shifting from a tale of the past to a tale of the future, seamlessly passing through the present. Something that captures the best frequencies of time and harmonises them. Like KN, the impeccable family of armchairs inspired by just such a movement: conceived of a form that embraces the spirit of modernism and at the same time expresses a sophisticated soul that outlines the future, while designing the present. Two armchairs are proposed: one conceived more for social situations, brilliant and ironic; the other more for moments of introspection,...
Open the catalog to page 3The KN Collection by Knoll is available in two versions: KN01 and KN02. They both share the swivelling base in polished or painted cast aluminium, with internal shock absorbers and a self-adjusting seat system for immediate comfort. KN01 is cosy, compact, lower, and very comfortable. KN02 is higher, perfect for prolonged seating, and comes with a headrest and a control, with shock-absorbed return, so that the upright position can be inclined to an almost perfect angle for resting. The back can be locked in any position. The KN03 footrest completes it. The seat cushions have a lumbar support....
Open the catalog to page 7“Like the animal that is its namesake, Grasshopper stands on outstanding legs, truly precision tools: agile, unlikely, and perfectly functional. Above them rests a surface so thin as to give the impression it might take flight. Airy, incredibly elegant, Grasshopper can also be found in a maxi version, equipped with a surprising surface that exalts its aesthetics and proportions: a wide and long top, super sleek, conceived for gregarious dining and the finest of gatherings. Perfect with the chairs in the Knoll catalogue, Grasshopper is the same height as classic tables, just slightly lower than...
Open the catalog to page 11Grasshopper joins the Knoll collection in an extra-large version made in uncommon precious stones, Rosso Rubino marble, glass, or wood. The corners are rounded, the thickness next to nothing. The structure in cast steel, features two additional central legs compared to the base version, and is proposed in chrome-plated steel, burnished or painted. The family of Grasshopper tables starts as a length of two metres and can easily be used in designer spaces, whether domestic or corporate, meetings rooms, entertainment facilities, or dining rooms. Grasshopper revient dans les collections Knoll en version...
Open the catalog to page 13“Flying is a precise science, founded on the essential. The most ethereal of the five elements obliges us to eliminate, trim, do without. In this way, by dint of honing, the Red Baron bookshelf, inspired by the wings of a triplane, of the legendary beauty of the first flights, retains the scaffolding of lines: an extremely thin horizontal sheet of aluminium with vertical supports. That’s all there is to this object: in an architecture made of transparency, solidity, and clarity. It can be situated at whim, in either domestic or business settings. And it can house objects, books, collections....
Open the catalog to page 15Born of a quasi-immaterial inspiration, Red Baron is a subtle presence, capable of living in a variety of spaces and atmospheres. Its peculiar characteristic is the thickness of the shelves, reduced to thin sheets of metal finished in aluminium. The supporting structure is in high-performance steel coated with an extrusion of anodized aluminium. The back and sides can be in extra-clear tempered glass or in chestnut. Conceived of as a perfectly contemporary object, it dialogues easily with all the pieces of the Knoll collection, whether classic or not. Nee d’une inspiration presque immaterielle,...
Open the catalog to page 17Aluminum Chair. design Marc Newson
Open the catalog to page 18A futuristic interpretation of the Tugendhat Chair designed in 1928 by Mies van der Rohe, Aluminum Chair embodies an idea of design that, as its designer states, looks toward the future and pushes technology toward the unknown. An object that in and of itself resolves forces that are only apparently contradictory: organic form and engineering precision; matter and transparency; strength and softness. Of the revolutionary construction in tubular steel of the Bauhaus, Aluminum Chair borrows the bouncing form, inverting it. The result is of visual lightness: a seat that almost fluctuates and joins...
Open the catalog to page 19Aluminum Chair.
Open the catalog to page 20Aluminum Chair The frame of Aluminum Chair is in die-cast tubular aluminium, a material that makes it possible to obtain highly dynamic forms. Created in three high-pressure castings - a main frame and two closing pieces - it appears solid and essential. All the complexity of the object is veiled in its mechanical precision and perfectly resolved in its aerodynamic line. Both the back and the seat consist of a delicate yet finely welded mesh. The chair is available either with or without arms. La structure d’Aluminum Chair est en fonte d’aluminium tubulaire moule sous pression, un materiau qui...
Open the catalog to page 21design Antonio Bonet, Juan Kurchan, Jorge Ferrari-Hardoy
Open the catalog to page 23Butterfly is an extraordinary classic, beginning with this history. Born in 1937, it was the brainchild of Antonio Bonet, Juan Kurchan, and Jorge Ferrari-Hardoy, putting it nearly thirty years ahead of its time in terms of unconventional seating. The three architects decided to redesign a classic of military outfitting: the Tripolina, a folding armchair of the British army designed by Joseph B. Fenby in 1877. They substituted the wooden skeleton and metal joints with a structure in tubular metal, a feature of the so-called rationalist furnishings. Since 1947 and until 1951, it was present in...
Open the catalog to page 24Eighty years later, Knoll returns to this timeless armchair to reinvent it with some important improvements today made possible thanks to modern technological know-how and craftsmanship. It is the quality of the materials that makes the lines even more sinuous and dynamic: the structure is available in chromium-plated steel or coated in black and white: the thermoformed felt is crafted into a self-supporting structure to serve as both seating and covering. Lasershaped, this can be assembled directly onto the structure without adding stitching for ultimate comfort and style. Such innovative details...
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