STAB VASES Arik Levy Materials and colours blown colored glass, smoked glass base Materials and colours blown colored glass, walnut wood base Arik Levy

Materials and colours blown glass, metal rod support SME-TUR-RUB Giulio Iacchetti Materials and colours blown glass

Carlo Ratti Associati with Walter Nicolino 14 GLASS RING Matali Crasset Materials and colours blown glass Materials and colours external vase: copper-salts treated carboard internal vase: transpirant fabric with water-proof stitching

VASE DECOMPOSE’ Atelier OI Materials and colours external vase: cutted and stretched anodised aluminum tube internal vase: clear glass Materials and colours blown glass

Matali Crasset DOUBLE LIFE Materials and colours trays and structure in powder coated aluminum, tray corners in iron, magnets Materials and colours pouf: polyurethane upholstered with in/outdoor fabric side table: powder coated metal Arik Levy

Materials and colours powder coated or brushed metal sheet walnut wood

walnut beam inductive Qi Technology power transmission pad

LIGHTBLOCK Arik Levy Materials and colours walnut wood, brass candle-holders 30 DON’T STOP THE LIGHT Materials and colours structure: bended metal rod with brass spheres mirror: pmma with spy-mirror film Martí Guixé

ECHO Arik Levy Materials and colours birch plywood painted with natural water colors JUNE BIRD Arik Levy Materials and colours birch plywood

ENZO MARI “Il progettista non può e non deve essere solo un tecnico, deve essere un umanista.” “Il vero design può nascere solo dalla conoscenza.” “L’etica è l’obiettivo di ogni progetto.” “The designer could not be and has not to be only a technician, he has to be a humanist.” “The true design could only come out from knowledge.” “Ethics is the aim of every project.” Materials and colours ceramic with matte white finishing

MURANO VETRO E Enzo Mari, 1991 re-edition 2015 Materials and colours mouth blown glass MURANO VETRO D Enzo Mari, 1991 re-edition 2015 Materials and colours mouth blown glass

BRUNO MUNARI “Il vero design non ha stile, non ha moda; se l’oggetto è giusto, (nel design non si dice bello) dura sempre. Oggetti di design ignoto si usano da sempre.” “The true design follows no style, no fashion; if the object is right, (in design there is no nice) lasts forever. We have allways used unknown design objects.” Bruno Munari 1973 re-edition 2015 36 Materials and colours chrome-plated brass, glass Materials and colours smoked and trasparent glass, chrome-plated brass Bruno Munari 1961 re-edition 2015

ALVARO SIZA “È necessario colmare il disegno d’intima sicurezza, serenità, qualcosa dell’incompleto di cui fa parte, un po’ d’instabilità perchè possa ricevere qualche cosa da ciò che lo circonda, così trasformandosi. Affinché non si dissolva e niente dissolva, inondando lo spazio all’improvviso, per poi tornare nell’anonimato.” “A design has to be filled with personal confidence, calm, something that tastes of not-finished, a little bit of instability that gets to take some characters from the surrounding, changing itself. In order not to dissolve, suddenly filling the space, just to get back...