
Introduction and Cultural Significance
The Manolete armchair, designed by Alberto Lievore, embodies the transgressive and hedonistic spirit of the 1980s. It pays homage to cultural roots while opening new avenues for creative expression in furniture design. This piece is recognized as a symbol of that unique era's creativity.
Design and Materials
The armchair features a wooden frame covered with polyurethane and dacron, providing comfort and durability. The legs are made of wood and available in various finishes, allowing customization to different interior styles.
Aesthetic and Functional Characteristics
Manolete's design balances austerity and humor. Its imposing form is softened by the small size of the armrests and the backrest's head, contrasted with four wooden legs. This combination creates a distinctive silhouette that is both elegant and playful.
Recognition and Legacy
Manolete is celebrated as the most awarded Spanish design, respected for its blend of tradition and innovation. It transcends typical furniture roles, functioning as an armchair, a suit hanger, or a sculpture. Its presence adds cultural value and personality to any space, making it an object of desire and a cultural treasure.
Dimensions and Volume
The document references a volume of 0.50 cubic meters (B-1 57 129 53 = 0.50m3), likely related to packaging or spatial requirements.
Manolete Alberto Lievore La butaca Manolete es un símbolo del espíritu transgresor y hedonista de los años ochenta del siglo XX, en el que, sin embargo, el diseñador ha querido rendir homenaje a sus raíces culturales y abrir la puerta a nuevas posibilidades de expresión creativa en la creación de muebles. The Manolete armchair is a symbol of the transgressive and hedonistic spirit of the eighties of the 20th century, with which the designer has chosen to pay homage to his cultural roots and open the door to new possibilities for creative expression in the creation of furniture.
Open the catalog to page 1Manolete Alberto Lievore Su respeto por la tradición y la alegría de aventurarse por caminos nuevos se han visto reconocidos en todos los ámbitos y Manolete puede presumir, hoy como ayer, de ser el diseño español que más premios ha recogido. Su forma austera e imponente resultaría sobrecogedora si no mediara un toque de humor en el contraste que ofrece el pequeño tamaño del brazo y del cabezal del respaldo, además de las cuatro patas de madera, con el resto del asiento. Manolete es una butaca, un galán de noche o una escultura; su indiscutible prestancia es un alarde de creatividad de una época...
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