
This section establishes the foundation of seating design, emphasizing ergonomic principles to ensure user comfort and proper alignment. It highlights the importance of focusing on what truly matters in seating functionality and usability.
Details compliance with safety evacuation protocols, notably the SEATWAY system, and stresses adherence to fire safety standards such as ISO 1021 and BS 5852. Ensuring rapid and safe evacuation during emergencies is a critical design requirement.
Focuses on durability standards, referencing EN 12727 for structural endurance. It includes technical parameters like radius measurements to guarantee long-term resistance and reliability of seating installations.
Examines seating dimensions with considerations for different user groups (children, adults, men, women) and international dimension standards. This ensures ergonomic suitability and comfort across diverse audiences.
Addresses venue seating capacity and acoustic optimization by balancing sound absorption and reverberation. This enhances auditory experiences in auditoriums and conference centers.
Outlines compliance with accessibility standards such as ADA and PMR, ensuring inclusive design for disabled users. Emphasizes social responsibility in creating equitable seating solutions.
Highlights the use of premium materials like full grain leather, natural wood, and anodized aluminum. Discusses craftsmanship elements including stitching techniques, color options, and minimalist design principles focusing on sobriety and clean lines to enhance visual appeal.
Describes adaptable seating systems including telescopic grandstands, fully automatic grandstands, and movable units. Emphasizes 100% versatility to accommodate various uses such as theaters, conference centers, and places of worship.
Details integration of functional accessories such as writing surfaces, customized desks, microphone and communication systems, and video conferencing equipment to support modern venue requirements.
Provides real-world applications through projects like the National Parliament of Lithuania and the Black Box Theatre by Jean Nouvel, demonstrating practical implementation of design principles and products.
Includes specialized components such as anodized aluminum cupholders, air vent pedestals, rotating chairs oriented towards the stage, folding seats (strapontins), and railing systems to enhance user comfort and venue functionality.
References structural elements including upper guide panels (GUIA SUPERIOR PANELES) and their securing substructures (SUBESTRUCTURA PARA SUJECCION DE LA GUIA SUPERIOR). Mentions storage solutions for seating (ALMACENAMIENTO BUTACAS). Fire resistance ratings EI30 and EI60 indicate components can withstand fire exposure for 30 and 60 minutes respectively. Component codes such as KLS-7 and U-5, along with dimensions like 1400x2000 and 1200x117, provide detailed technical specifications for manufacturing and installation.
Lists numerous international projects across Europe, the Middle East, and beyond, including cultural centers, stadiums, and educational institutions. Notable projects include Centro Cultural Agora (Spain), La Alhondiga cultural center (Spain), Agence ITER (France), Teatro Victoria Eugenia (Spain), Georgia National Stadium, National Parliament of Lithuania, and King Saud University Orientation Building (Saudi Arabia). Renowned architects and firms such as Rojo Fernandez Shaw, Atelier Philippe Starck Paris, Rudy Ricciotti, and Jean Nouvel are credited, underscoring the document’s credibility and industry relevance.
Fire resistance classifications EI30 and EI60 are emphasized as critical safety parameters, ensuring components meet stringent fire safety requirements for 30 and 60 minutes of fire exposure respectively.
The document references the website www.ascender-dec.com multiple times, indicating the manufacturer or supplier. It highlights a 10-year leadership claim in the seating solutions sector, emphasizing core principles such as beauty, innovative ideas, and multipurpose functionality.
This structured approach guarantees seating solutions that are functional, safe, aesthetically pleasing, and versatile, meeting the diverse requirements of auditoriums, conference centers, and multipurpose venues.
KEYSTONES FUNDAMENTOS POINTS CLES AESTHETICS ESTETICA BEAUTE 17 PROPOSALS COMPLEMENTOS IDEES 46 MULTIPURPOSE VERSATILIDAD POLIVALENCE
Open the catalog to page 4PRINCIPLES What really matters
Open the catalog to page 5e r g on omi e • e r go n o m i e • e r g o n o m i e • e rg onom i e • e rg onom i e • e rg onom ie • er go n o mie • er go n o mie • er go n o mie • er go n o mie • er go n o mie • er g on omi e • e r g on omi e • e r g on omi e • er g on om ie • e r g o n o m i e • e r g o n o mi e • e rg onom i e • e rg onom i e • e rg ono mie • er go n o mie • er go n o mie • er go n o mie • er go n o mie • er go n o mie • e r g on omi e • e r g on omi e • e r g on om i e • ergo n o m ie • e r g o n o m i e • e r g o nom i e • e rg onom i e • e rg onom i e • er go n o mie • er go n o mie • er go n o mie...
Open the catalog to page 7Safety evacuation:
Open the catalog to page 8Isóptica www.ascender-dec.com
Open the catalog to page 13Fire standards :
Open the catalog to page 14Same sizes for men and women? ¿Deberian ser iguales las butacas para niños y adultos? Dimensions: pourquoi identiques dans les différents pays?
Open the catalog to page 16Aforo Capacity
Open the catalog to page 17absorption versus reberverance
Open the catalog to page 18Environment www.ascender-dec.com
Open the catalog to page 20Responsabilité sociale
Open the catalog to page 21Compromise with culture and sports
Open the catalog to page 22Full grain leather
Open the catalog to page 25Handicraft Stitching
Open the catalog to page 26Colors www.ascender-dec.com
Open the catalog to page 28Motives www.ascender-dec.com
Open the catalog to page 29Aluminium www.ascender-dec.com
Open the catalog to page 31Straight lines
Open the catalog to page 34repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions
Open the catalog to page 36El consenso entre las partes
Open the catalog to page 39IMDEA , diseño y equipos de conferencia de la mano del estudio LAMELA
Open the catalog to page 40Why not using an auditorium as a conference center?
Open the catalog to page 43Writing ries accesso
Open the catalog to page 44Customized desks
Open the catalog to page 45Microphone and communication systems
Open the catalog to page 46Video & conference equipment
Open the catalog to page 49National Parliament of Lithuania
Open the catalog to page 50Anodised aluminium cupholders
Open the catalog to page 52Strapontins www.ascender-dec.com
Open the catalog to page 55Gradins télescopiques
Open the catalog to page 60Black Box Theatre by Jean Nouvel
Open the catalog to page 61Fully automatic grandstands Plancher en MFP 22 mm avec moquette aiguilleté
Open the catalog to page 63Compromise with the finishes
Open the catalog to page 65Railing systems
Open the catalog to page 66SUBESTRUCTURA PARA SUJECCION DE LA GUIA SUPERIOR. GUIA SUPERIOR PANELES. ALMACENAMIENTO BUTACAS.
Open the catalog to page 68CREDITS PRINCIPLES 10/11 Centro cultural Agora, SPAIN Rojo Fernandez Shaw Arquitectos 12/13 La Alhondiga centro de ocio y cultura, SPAIN Atelier Philippe Starck Paris 14/15 Agence ITER, FRANCE A. Rudy Ricciotti 16/17 Centre Instruction Navale St. Mandrier, FRANCE A. J.P Mathieu 18/19 Teatro Victoria Eugenia, SPAIN Zubiria Arquitectos 20/21 Salon de actos Hospital de Cruces, SPAIN 22/23 Bibliteca de Braga, PORTUGAL 24/25 Casa cultura Ermua Antzokia, SPAIN MaaB arquitectura y urbanismo, S.L 26/27 Auditorio de Javier, SPAIN 30/31 Teatro principal de Tarrasa, SPAIN Dilmé & Fabré Arquitectes 32/33...
Open the catalog to page 7210 años a la cabeza del pelotón
Open the catalog to page 7375 Pages
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