Dynamic. As a child I was fascinated by toys with in-built energy, like wind-up tin cars. Much of this fascination can be recognised in the tensioning force and movement mechanism of the Ahrend 350: a static object changing into a dynamic whole as soon as somebody sits down on it. Man was made to move; even when sitting down. The 'owner' is not a constant but a variable; that was the greatest challenge when designing this chair. fi H Ahrend 350 office chair. Upholstery: black leather. Chrome-plated frame.

It is my opinion that an office chair should not give rise to questions, but should offer solutions; it has to be present without imposing itself on its environment. This explains the clear lines of the Ahrend 350, its ease of operation and the omission of all distracting elements. Shape, materials and technology serve to offer optimum comfort. Enjoyable to work with, but also pleasing to the eye.

Ahrend 350 office chair and visitors' chairs. White leather upholstery. Ahrend 1030: 180x100cm and 220x110cm, white Ciranol tabletop, white frame. Design is not just a trend but a tradition for Ahrend - a company with deep roots in the past and a clear vision of the future. In addition to the designs by its own staff, Ahrend's cooperation with leading designers like Friso Kramer, Wim Quist, Frans de la Haye, Perry King & Santiago Miranda, Sigurd Rothe and Meyer & Van Schooten has produced and continues to produce inspiring furniture and furniture ranges. Design in the service of man at work....

luii l:i ICJ Ahrend. Always ready for things to come www.ahrend.com