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ARCOS - 1

ARCOS III THE FINE ART OF LIGHT

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ARCOS - 2

James Simon Gallery, Berlin | DE Architecture: David Chipperfield A: ■cts, Berlin

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ARCOS - 3

“ T he new A RCOS ha s surpa s s e d it s elf. T he newly develop e d optic al s y s tem of fer s even b et ter light qualit y and unique f le xibilit y. We’ve ret aine d the trie d-and-te s te d minimalis t de sign and the pre cis e s truc ture s .” David Chipperfield David Chipperfield Architects, London | UK

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ARCOS - 4

Bauhaus Museum Dessau | DE Architecture: addenda architects, Barcelona | ES

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ARCOS - 5

M A S T E R LY Mus eum visitor s c an los e thems elve s in the b eaut y of the ar t work s thank s to lighting that promis e s abs olute fre e dom in pre s ent ation and drama . A RCOS III zo omfo cus allows us to make this promis e. It is suit able for any archite c tural or s cenographic challenge s surrounding e xhibitions . A ma s terpie ce of lighting. LIGHTING FOR ALL: ARCOS III zoomfocus tunableWhite allows the light to be adapted for any era or style.

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ARCOS - 6

Lehmann Maupin Gallery, Hong Kong | CN

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ARCOS - 8

SIZE L CEILING HEIGHT S UP TO 10 M

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ARCOS - 9

SIZE M CEILING HEIGHTS UP TO 5 M

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ARCOS - 11

A DA P TA B LE T his ultra-pre cis e lighting to ol adapt s ea sily to dif ferent ceiling height s and sp atial conf igurations . Zo oming and fo cus sing is intuitive and func tions in the s ame way a s a c amera lens . T he sp e cial lens s y s tem enable s variable light dis tribution a s well a s adjus t able b eam e dge s and colour temp erature s . N o s tray light . N o multiple shadows . T he ga ze is drawn to what ’s imp or t ant . A RCOS III zo omfo cus ha s b e en develop e d for cons t antly changing re quirement s at the highe s t level. Medium Spot OVAL ZOOM

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ARCOS - 12

The spotlight can be flexibly adapted to the size of the artwork. Whichever beam angle is selected, absolute precision and excellent uniformity without stray light are guaranteed. Thanks to the unique, easy-to-adjust zoomfocus lens, the same light distribution can be achieved from different distances and beam edges sharpened or softened as required.

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ARCOS - 13

Whether accent lighting for sculptures and selected details - employing maximum contrast (left luminaire) or lighting with a softer beam (right luminaire): the fine adjustment of the beam characteristic using the focus function ensures a better quality of perception. Variable colour temperatures and adjustable light distribution – all from a single luminaire. In accordance with the Monza Method (see p. 19), a combination of warm-white and cool-white colour temperatures paired with flood and spot distributions opens up a unique level of perception and storytelling. For this painting a mix of...

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ARCOS - 14

O ptic a l syste m A RCOS III zo omfo cus Oval lens and “Very wideflood” lens optional in the accessory ring • Rotatable • Integrated in the front ring of the lens Accessory ring Zoom lens • Integrated within the zoomfocus cartridge • Intuitive handling • Light distribution options from Spot to Wideflood • Excellent glare control • Precision mechanics link zoom & focus control Focus lens • Integrated in the front ring of the lens • Intuitive handling • nables softening or sharpening of beam edges E • recision mechanics link zoom & focus control P Mixing chamber with spherical lens...

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ARCOS - 16

2700K warm white ARCOS III tunableWhite 4000K neutral white ARCOS III tunableWhite

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ARCOS - 17

EVEN T he e x tremely pre cis e light dis tribution ensure s ultra uniformit y and s trong contra s t, enabling ar t work s to b e illuminate d with the right amount of light and without disruptive s tray light . For e xcellent qualit y of p erception . Soft edge > 90 % of light reaches the area of 2 x 2 metres Soft to hard edge > 94 % of light reaches the area of 2 x 2 metres Hard edge > 96 % of light reaches the area of 2 x 2 metres Framework conditions Distance between luminaire and wall: 4 m Beam angle: 15°

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ARCOS - 18

Conventional lighting with one type of luminaire Using at least two luminaires in accordance with the Monza Method, contrasts and tonal differences are increased and details better perceived by the observer.

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ARCOS - 19

ORIGINALITY Only the right light make s viewing an ar t work a truly imp ac t ful e xp erience. T hat ’s why we’ve e quipp e d A RCOS III zo omfo cus with our 3- channel tunableW hite te chnolog y. Combining the p er fe c t colour sp e c tra with the right light dis tributions enable s s truc ture s, colour s, f ine det ails and materials to b e authentic ally pre s ente d, creating the contra s t s and ef fe c t s re quire d. 3000K Medium Spot 2700K Spot TUNABLEWHITE FOR CHANGES OF MOOD ARCOS tunableWhite technology uses adjustable light colours in combination with variable light...

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ARCOS - 20

Locking screw • Locks position in both axes • he spotlight holds its set T position perfectly once adjusted 2 Dimming controller • ON-board dimming • luetooth® and DALI options allow full B control of lux values on the objects - to present but also conserve the artwork. 3 Colour temperature controller • eamless adjustment of the colour temperature S from 2700K to 6500K via control system or directly on the spotlight 4 Driver •  Electronic driver components thermally separated from the LED •  Bluetooth® driver and integrated Beacon enable easy integration into smart digital museum concepts...

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ARCOS - 21

S O P H I S T I C AT E D Pre cis e and intuitively adjus t able lighting for the f le xible pre s ent ation of ar t work s . T he s ele c te d sp otlight p osition is s e cure d thank s to the lo cking func tion . T he thermal s eparation of ele c tronic s and L ED guarante e s a long life time. N et working via Blueto oth ® make s the light ea sier to adjus t and of fer s brand new p os sibilitie s for visitor interac tion . I N T E R AC T I V E A N D S U S TA I N A B L E Interaction with digital museum guides allows the luminaires to detect when someone is standing in front of the...

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