Images taken at approx. 3m from projection surface. Industry standard colors Popular LEE color filters are achievable with the Martin CMY system.
Slate Blue, L161 C = 87 % M = 65 % Y = 0 % Full CT Blue, L201 C = 49 %M = 11 % Y = 0 % Pale Lavender, L136 C = 20 % M = 24 % Y = 0 % Bastard Amber, L162 C = 0 %M = 15 % Y = 40 % Apricot, L147 C = 0 %M = 42 % Y = 86 % Dark Amber, L022 C = 0 %M = 83 % Y = 100 % Primary Red, L106 C = 0 %M = 100 % Y = 100 % Full Spectrum Color Mixing The broadest, most evenly distributed spectrum of colors in one self-contained color mixing system. This means there is no need for complicated module changes or doubling up fixtures on the truss in order to achieve a total range of colors.

Every nuance, Every shade

The Temperature of Light All around us in nature, the temperature of light is in continuous flux. It is never constant. The subtle shifts of color temperature throughout the day gently communicate with our peripheral senses. We receive subconscious messages such as: the storm is clearing, midday is approaching or the workday is ending. In theatre, the ability to accurately emulate color temperature can similarly communicate to an audience all the emotions associated with an exact moment in time. The incredible accuracy of the CMY mixing system in the MAC TW1 allows you to do just this.

3200 K4000 K 7500 K

The MAC TW1’s CMY color mixing system delivers a multitude of vibrant colors – from fully saturated deep hues to soft pastels. The system ensures a logical transition from any one color to another without distracting detours or unwanted colors.

DaylightNeutral LightWarm Light