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ASCENDER I+D
1 /74Pages

ASCENDER I+D

ASCENDER I+D
1 /74Pages

Catalog excerpts

ASCENDER I+D-4

KEYSTONES FUNDAMENTOS POINTS CLES AESTHETICS ESTETICA BEAUTE 17 PROPOSALS COMPLEMENTOS IDEES 46 MULTIPURPOSE VERSATILIDAD POLIVALENCE

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ASCENDER I+D-5

PRINCIPLES What really matters

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ASCENDER I+D-7

e r g on omi e • e r go n o m i e • e r g o n o m i e • e rg onom i e • e rg onom i e • e rg onom ie • er go n o mie • er go n o mie • er go n o mie • er go n o mie • er go n o mie • er g on omi e • e r g on omi e • e r g on omi e • er g on om ie • e r g o n o m i e • e r g o n o mi e • e rg onom i e • e rg onom i e • e rg ono mie • er go n o mie • er go n o mie • er go n o mie • er go n o mie • er go n o mie • e r g on omi e • e r g on omi e • e r g on om i e • ergo n o m ie • e r g o n o m i e • e r g o nom i e • e rg onom i e • e rg onom i e • er go n o mie • er go n o mie • er go n o mie...

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ASCENDER I+D-8

Safety evacuation:

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ASCENDER I+D-13

Isóptica www.ascender-dec.com

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ASCENDER I+D-16

Same sizes for men and women? ¿Deberian ser iguales las butacas para niños y adultos? Dimensions: pourquoi identiques dans les différents pays?

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ASCENDER I+D-18

absorption versus reberverance

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ASCENDER I+D-20

Environment www.ascender-dec.com

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ASCENDER I+D-21

Responsabilité sociale

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ASCENDER I+D-22

Compromise with culture and sports

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ASCENDER I+D-26

Handicraft Stitching

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ASCENDER I+D-28

Colors www.ascender-dec.com

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ASCENDER I+D-29

Motives www.ascender-dec.com

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ASCENDER I+D-31

Aluminium www.ascender-dec.com

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ASCENDER I+D-36

repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions repetitions

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ASCENDER I+D-39

El consenso entre las partes

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ASCENDER I+D-40

IMDEA , diseño y equipos de conferencia de la mano del estudio LAMELA

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ASCENDER I+D-43

Why not using an auditorium as a conference center?

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ASCENDER I+D-44

Writing ries accesso

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ASCENDER I+D-46

Microphone and communication systems

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ASCENDER I+D-49

Video & conference equipment

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ASCENDER I+D-50

National Parliament of Lithuania

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ASCENDER I+D-52

Anodised aluminium cupholders

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ASCENDER I+D-55

Strapontins www.ascender-dec.com

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ASCENDER I+D-60

Gradins télescopiques

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ASCENDER I+D-61

Black Box Theatre by Jean Nouvel

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ASCENDER I+D-63

Fully automatic grandstands Plancher en MFP 22 mm avec moquette aiguilleté

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ASCENDER I+D-65

Compromise with the finishes

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ASCENDER I+D-68

SUBESTRUCTURA PARA SUJECCION DE LA GUIA SUPERIOR. GUIA SUPERIOR PANELES. ALMACENAMIENTO BUTACAS.

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ASCENDER I+D-72

CREDITS PRINCIPLES 10/11 Centro cultural Agora, SPAIN Rojo Fernandez Shaw Arquitectos 12/13 La Alhondiga centro de ocio y cultura, SPAIN Atelier Philippe Starck Paris 14/15 Agence ITER, FRANCE A. Rudy Ricciotti 16/17 Centre Instruction Navale St. Mandrier, FRANCE A. J.P Mathieu 18/19 Teatro Victoria Eugenia, SPAIN Zubiria Arquitectos 20/21 Salon de actos Hospital de Cruces, SPAIN 22/23 Bibliteca de Braga, PORTUGAL 24/25 Casa cultura Ermua Antzokia, SPAIN MaaB arquitectura y urbanismo, S.L 26/27 Auditorio de Javier, SPAIN 30/31 Teatro principal de Tarrasa, SPAIN Dilmé & Fabré Arquitectes 32/33...

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ASCENDER I+D-73

10 años a la cabeza del pelotón

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